Researchers from different fields like archaeology, history, philology and natural sciences present their studies on ancient gemstones. Using precious minerals as an example, trade flows and craftsmanship, but also utilisation and perception are discussed in a cross-cultural and diachronic approach. The present volume aims at three main questions concerning gemstones in archaeological and historical contexts: »Mines and Trade«, »Gemstone Working« as well as »The Value and the Symbolic Meaning(s) of Gemstones«.
This volume contains the proceedings of the conference »Gemstones in the first Millennium AD« held in autumn 2015 in Mainz, Germany, within the scope of the BMBF-funded project »Weltweites Zellwerk – International Framework«.
You can preview the table of content and a preface here.
Chris Fern MA FSA, The Staffordshire Hoard Project
The Staffordshire Hoard is the largest ever find of Anglo-Saxon treasure, of gold, silver and garnet objects, at around 5kg. It was found in 2009 by a metal-detectorist and became an international sensation. Following seven years of conservation cleaning and reconstruction work, some seven-hundred objects have now been identified, from an original 4500 fragments. Most are fittings from richly-decorated swords, which were the possessions of warriors and maybe even princes and kings. Some were decorated with the sacred symbols of gods, both pagan and Christian. Other objects include a rare helmet and a small but significant collection of Christian items, including pectoral and processional crosses. Dating to the 7th century AD, the hoard shows us an early England that was wealthy and capable of great artistic achievement, but in an age of violence and warfare, and driven by the politics of the warband.
Dienstag, den 18. Oktober, 18.15 Uhr
Römisch-Germanisches Zentralmuseum – Vortragssaal
Im Rahmen der Vortragsreihe “Weltweites Zellwerk”
See the full program here!
Foto: (c) http://www.staffordshirehoard.org.uk
Their combination, colours and contexts.
This paper aims to explore some lesser-known uses of gems, with a special focus on the Early Middle Ages (7th-9th centuries) and on liturgical contexts. In order to do so, the data conveyed by the written sources and the material evidence have been gathered and compared. The altar with its surroundings – the sanctuary – has been chosen as the underlying theme to approach the subject. This was the most sacred area in a church, where only the clergymen were allowed to be, and where every object was highly charged with symbolic value. The gems used in this context have also their own allegoric meanings: in the Bible itself they are constantly mentioned, although they are associated with both the holiest and the most evil figures and things. Their “positive” symbolic connotations were, however, one of the main reasons why they were employed in decorating Early Medieval liturgical items – together of course with their ornamental value and their meaning as an indicator of the economic and political power of the Church –. The objects preserved in the museums and the written sources offer a rich documentation about the types and the combinations of precious stones which were used to this purpose. The scientific literature on chalices, patens, crosses, reliquaries, hanging crowns with gem inlays is abundant, and at times it has been possible to detect some ancient restorations. A little known written document, however, offers additional, precious information on how these restorations could be performed in the 9th century. The same source includes a small enigma about diamonds, for which a possible solution will be proposed. Other contexts of use of gems have also been little inquired, namely their employment in the stone liturgical furnishings (altars, chancel screens, etc.) and in the icons with depictions of saints. Despite the evidence is scattered, a collection of various pieces of information allows to shed light on these last aspects.
Lecture held during the conference “Gemstones in the first Millennium AD. Mines, Trade, Workshops and Symbolism.” October 21st, 2015 at the Roemisch-Germanisches Zentralmuseum, Mainz (Germany).